Rotterdam was very badly destroyed during the Second World War, a fact that can still be felt today. Since its reconstruction in the 1950s, the city has been an experimental field for modern architecture.

Photographer Annette Kisling spent a year in Rotterdam in 2003 and gave her photographic impressions of the city’s multi-layered, lively, and at the same time fragile appearance. She continues her work in Rotterdam from 2017 to 2023. The city has changed a lot in the meantime. Diversity has remained Rotterdam, but a new exclusivity has been added. The city is focusing more and more on densification and economic upgrading.

With Verplaatst, an extensive photographic series has been created that gives a complex impression of the city’s development. The publication of the same name comprises a selection of 174 photographs that Kisling has compiled especially for the e-book.

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Rotterdam was very badly destroyed during the Second World War, a fact that can still be felt today. Since its reconstruction in the 1950s, the city has been an experimental field for modern architecture.

Photographer Annette Kisling spent a year in Rotterdam in 2003 and gave her photographic impressions of the city’s multi-layered, lively, and at the same time fragile appearance. She continues her work in Rotterdam from 2017 to 2023. The city has changed a lot in the meantime. Diversity has remained Rotterdam, but a new exclusivity has been added. The city is focusing more and more on densification and economic upgrading.

With Verplaatst, an extensive photographic series has been created that gives a complex impression of the city’s development. The publication of the same name comprises a selection of 174 photographs that Kisling has compiled especially for the e-book.

The post Verplaatst appeared first on EECLECTIC.

In her email correspondence with the New Zealand artist Matthew Cowan, which took place during the Corona pandemic, the artist provides insights into her photographic working methods. She outlines a practice that combines photography as a communicative and documentary medium with the process of archiving and its artistic translation.

She documents, among other things, legal exhibits in the evidence rooms of cities in Germany, re-enacts the police search of her parents’ house 13 years after the actual event in 1990 and artistically examines a playground with its special history as a background. For her, the use of glass as a working material is both functionally and conceptually an important filter for historical aesthetics, temporary architectures and the absent as information. Within these strategies, Müller’s photographic practice is an inventory of real and fictional events that address claims of the legal and artistic truth of objects.

The post Cold Lens as a Filter appeared first on EECLECTIC.

“Exit represents a development in the theme of disappearing acts prevalent in Rebecca Milling’s work. This series of photographs captures animals exiting the scene, and is distinct in its graphic and formal use of tone… The animals, cut in half and leaving the frame, give oblique but pointed reference to the mass endangerment of species in our present environmental crisis […].”
Cordelia Underhill

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