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	<title>animals &#8211; EECLECTIC</title>
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	<title>animals &#8211; EECLECTIC</title>
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		<title>Düne Wedding</title>
		<link>https://eeclectic.de/en/produkt/duene-wedding/</link>
		
		<dc:creator><![CDATA[janine]]></dc:creator>
		<pubDate>Tue, 12 May 2020 15:39:54 +0000</pubDate>
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					<description><![CDATA[<p><span class="TextRun SCXW157106603 BCX0" lang="EN-GB" xml:lang="EN-GB" data-contrast="auto"><span class="NormalTextRun SCXW157106603 BCX0">#8 / Text and image collages describe and document this unusual </span><span class="NormalTextRun SCXW157106603 BCX0">place</span></span></p>
<p>The post <a href="https://eeclectic.de/en/produkt/duene-wedding/">Düne Wedding</a> appeared first on <a href="https://eeclectic.de/en">EECLECTIC</a>.</p>
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										<content:encoded><![CDATA[<p>The melting of the last ice-age glaciers, some 12,000 years ago, left behind a sparsely-vegetated moraine landscape in the north of Berlin. The “Düne Wedding” stands as the only remaining relic of these dune formations of the Rehberge hills in what is now Berlin-Mitte. It has been a registered natural monument since 1976. It was “reconstructed” and has regulated opening hours. The Rehberge, as they originally appeared, inspired a wide range of fantasies for their use.</p>
<p>The most famous are Carl Hagenbeck’s plans for a so-called future animal park, meant to exhibit animals and people for both entertainment and educational purposes. Driven by German colonialism, these and other partly exotic attributions contributed to the definition of the neighbouring African Quarter.</p>
<p>Constanze Fischbeck and Sven Kalden collage annotated photographs, images, and documents. Together with an essay by the artist Akinbode Akinbiyi, they tell and expand the history of this place from the end of the 19th century to the present day. The fragile nature of a sand dune reflects the complex process of the urbanization of an unusual landscape.</p>
<p>The post <a href="https://eeclectic.de/en/produkt/duene-wedding/">Düne Wedding</a> appeared first on <a href="https://eeclectic.de/en">EECLECTIC</a>.</p>
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		<title>Exit</title>
		<link>https://eeclectic.de/en/produkt/exit/</link>
		
		<dc:creator><![CDATA[janine]]></dc:creator>
		<pubDate>Thu, 03 Oct 2019 22:14:36 +0000</pubDate>
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					<description><![CDATA[<p><em>Exit</em> is a visual essay by artist Rebecca Milling on the tragic beauty of leaving the stage</p>
<p>The post <a href="https://eeclectic.de/en/produkt/exit/">Exit</a> appeared first on <a href="https://eeclectic.de/en">EECLECTIC</a>.</p>
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										<content:encoded><![CDATA[<p><em>Exit</em> is a visual essay by artist Rebecca Milling on the tragic beauty of leaving the stage. Melancholic, beautiful and moving (literally!)</p>
<p><em>“Exit represents a development in the theme of disappearing acts prevalent in Rebecca Milling’s work. This series of photographs captures animals exiting the scene, and is distinct in its graphic and formal use of tone… The animals, cut in half and leaving the frame, give oblique but pointed reference to the mass endangerment of species in our present environmental crisis […].”</em><br />
Cordelia Underhill</p>
<p>&nbsp;</p>

<p>The post <a href="https://eeclectic.de/en/produkt/exit/">Exit</a> appeared first on <a href="https://eeclectic.de/en">EECLECTIC</a>.</p>
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