{"id":10294,"date":"2021-12-14T12:14:18","date_gmt":"2021-12-14T11:14:18","guid":{"rendered":"https:\/\/eeclectic.de\/?p=10294"},"modified":"2023-07-23T00:13:09","modified_gmt":"2023-07-22T22:13:09","slug":"buchpraesentation-adk-2022","status":"publish","type":"post","link":"https:\/\/eeclectic.de\/en\/buchpraesentation-adk-2022\/","title":{"rendered":"BUCHPR\u00c4SENTATION ADK 2022"},"content":{"rendered":"

<\/p>

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Freitag, 14.1.2022, 19 Uhr<\/strong><\/p>\n

Helke Sander: I like chaos, but I don\u2019t know, whether chaos likes me<\/a> \u2013 Texte aus der Zeitschrift Frauen und Film
\nAkademie der K\u00fcnste
\nHanseatenweg 10, adk.de<\/a><\/p>\n

Dass feministische Filmarbeit eine theoretische Flankierung fordert, war 1974 Anlass f\u00fcr die Gr\u00fcndung der Zeitschrift Frauen und Film. Der Selbstverst\u00e4ndigungsprozess, die Auseinandersetzung mit Stereotypen, Sexismus und Bildstrategien waren Themen von damals und sind die Fragen von heute. In der Publikation Helke Sander: I like chaos, but I don\u2019t know whether chaos likes me werden ausgew\u00e4hlte Texte der Filmemacherin und Begr\u00fcnderin der Zeitschrift, Helke Sander, zur Re-Lekt\u00fcre vorgestellt. Au\u00dferdem findet sich in dem Buch ein aktuelles Gespr\u00e4ch der Medien- und Kulturwissenschaftlerin Elena Meilicke mit Helke Sander \u00fcber Historie und Bedeutung der Zeitschrift Frauen und Film sowie erstmals Ausschnitte aus einer Arbeitsversion des Drehbuchs von Redupers \u2013 Die allseitig reduzierte Pers\u00f6nlichkeit.<\/p>\n

<\/p>\n

Die beiden Herausgeber*innen Achim Lengerer und Janine Sack werden die Publikation vorstellen, die Schauspielerin Emma Petzet aus dem Buch lesen. Es kommen drei wichtige Akteurinnen der ersten feministischen Filmbewegung zu Wort: Helke Sander, die mit Filmen wie Eine Pr\u00e4mie f\u00fcr Irene (1971), Macht die Pille frei? (1971) oder Der subjektive Faktor (1981) provozierte, Claudia von Alemann, die mit Es kommt drauf an, sie zu ver\u00e4ndern (1973), Die Reise nach Lyon (1980) oder Die Frau mit der Kamera \u2013 Portr\u00e4t der Fotografin Abisag T\u00fcllmann (2015) unter anderem mit sozialen Themen und starken Portr\u00e4tfilmen hervortrat, und Gesine Strempel, Moderatorin und Autorin, die langj\u00e4hrig f\u00fcr das frauenpolitische Magazin Zeitpunkte und als Mitarbeiterin von Frauen und Film t\u00e4tig war. Das, was seinerzeit in der Zeitschrift analysiert, in Frage gestellt und gefordert wurde wie die Gr\u00fcndung von Vertriebsstrukturen und Festivals, Geschlechterparit\u00e4t in Gremien, Zugang zu Filmf\u00f6rderungen und Fernsehauftr\u00e4gen und eine Sch\u00e4rfung des Blicks f\u00fcr das Strukturelle hinter verfestigter Ungleichverteilung und der Abwertung von Frauen-Sujets, hat vieles in Bewegung gesetzt und gleichzeitig an Relevanz nichts verloren. Wie sich die Strategien und Netzwerke ver\u00e4ndert haben, darauf wird die Regisseurin, Produzentin, Co-Herausgeberin des Buches Wie haben Sie das gemacht? \u2013 Aufzeichnungen zu Frauen und Filmen und Vorstandsmitglied von ProQuote Film Bettina Schoeller-Bouju eingehen.<\/p>\n

Im Anschluss ist die Episode Muss ich aufpassen? aus dem Film Felix (1986) mit Ulrich Tukur, Danuta Lato und Gabriela Herz von Helke Sander zu sehen: eine Miniatur \u00fcber Geschlechterverh\u00e4ltnisse im Zeitalter der Skepsis gegen\u00fcber der Pille, der Liebe, dem Sex \u2013 und dar\u00fcber, wie es auch alles ganz anders gehen k\u00f6nnte.<\/p>\n

Scriptings\u2019 Reader-Format \u201ePolitical Scenarios\u201c, in dem die Publikation erscheint, wird in Zusammenarbeit mit Archive Books und dem E-Book-Verlag EECLECTIC herausgegeben.<\/p>\n

Mit Achim Lengerer, Claudia Lenssen, Janine Sack, Helke Sander, Bettina Schoeller-Bouju, Gesine Strempel und Claudia von Alemann\u2028Lesung: Emma Petzet\u2028In deutscher Sprache\u2028\u20ac 6\/4
\nKartenreservierung\u2028Tel.: (030) 200 57-1000\u2028E-Mail:\u00a0ticket@adk.de<\/p>\n

Zur AdK<\/a><\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Freitag, 14.1.2022, 19 Uhr Helke Sander: I like chaos, but I don\u2019t know, whether chaos likes me \u2013 Texte aus der Zeitschrift Frauen und Film Akademie der K\u00fcnste Hanseatenweg 10, adk.de Dass feministische Filmarbeit eine theoretische Flankierung fordert, war 1974 Anlass f\u00fcr die Gr\u00fcndung der Zeitschrift Frauen und Film. Der Selbstverst\u00e4ndigungsprozess, die Auseinandersetzung mit Stereotypen, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10294","post","type-post","status-publish","format-standard","hentry","category-allgemein"],"acf":[],"yoast_head":"\nBUCHPR\u00c4SENTATION ADK 2022 – EECLECTIC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eeclectic.de\/en\/buchpraesentation-adk-2022\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"BUCHPR\u00c4SENTATION ADK 2022 – EECLECTIC\" \/>\n<meta property=\"og:description\" content=\"Freitag, 14.1.2022, 19 Uhr Helke Sander: I like chaos, but I don\u2019t know, whether chaos likes me \u2013 Texte aus der Zeitschrift Frauen und Film Akademie der K\u00fcnste Hanseatenweg 10, adk.de Dass feministische Filmarbeit eine theoretische Flankierung fordert, war 1974 Anlass f\u00fcr die Gr\u00fcndung der Zeitschrift Frauen und Film. 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