{"id":9262,"date":"2021-08-20T09:40:04","date_gmt":"2021-08-20T07:40:04","guid":{"rendered":"https:\/\/eeclectic.de\/?post_type=product&#038;p=9262"},"modified":"2025-04-01T15:27:57","modified_gmt":"2025-04-01T13:27:57","slug":"i-like-chaos-but-i-dont-know-whether-chaos-likes-me-texte-aus-frauen-und-film","status":"publish","type":"product","link":"https:\/\/eeclectic.de\/en\/produkt\/i-like-chaos-but-i-dont-know-whether-chaos-likes-me-texte-aus-frauen-und-film\/","title":{"rendered":"Helke Sander: I like chaos, but I don&#8217;t know whether chaos likes me"},"content":{"rendered":"<p>The monographic publication <em>Helke Sander: I like chaos, but I don\u2019t know whether chaos likes me<\/em> comprises texts from \u201cFrauen und Film\u201d (women and film), the first feminist German-language film magazine founded and edited by Helke Sander in 1974.<\/p>\n<p>The texts selected for publication focus on central issues of feminist film work, economic and legal conditions and, above all, their structural conditions in social relations and the radical critique of them.<\/p>\n<p>In the publication, the reprints of the texts from \u201cFrauen und Film\u201d are accompanied by a conversation between Helke Sander and the film scholar Elena Meilicke on the beginnings and the context of the journal\u2019s development. In order to additionally illustrate the close connection between the practice of writing and the cinematic work, excerpts from a working version of the screenplay of <em>Die allseitig reduzierte Pers\u00f6nlichkeit \u2013 Redupers<\/em> are published for the first time.<\/p>\n<p>The publication makes Sander&#8217;s texts, in both analogue and digital versions, accessible for the ongoing debate on production conditions and gender relations for subsequent generations of artists.<\/p>\n<p>Scriptings\u2019 reader format \u201cPolitical Scenarios\u201d is published in collaboration with Archive Books and the e-book publisher EECLECTIC. The aim is to publish carefully selected scripts and texts by artists that refer neither to academic nor to purely literary forms of writing, but embed \u201ctext\u201d as an integral part of a contemporary political art practice.<\/p>","protected":false},"excerpt":{"rendered":"<p>Texts from \u201cFrauen und Film\u201d. The newly published texts focus on central questions of feminist film work.<\/p>\n","protected":false},"featured_media":9302,"template":"","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[288,287,275,274,80,107],"product_tag":[314,209,93,436,313,312],"class_list":{"0":"post-9262","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"writers-achim-lengerer-hg","7":"writers-helke-sander","8":"writers-janine-sack-hg","9":"reihe-scriptings-political-scenarios","10":"product_cat-buch","11":"product_cat-e-book","12":"product_cat-gesellschaft","13":"product_cat-politik","14":"product_cat-film","15":"product_cat-feminismus","16":"product_tag-arbeitsbedingungen","17":"product_tag-feminismus","18":"product_tag-film","19":"product_tag-film-review","20":"product_tag-frauen-und-film","21":"product_tag-frauenbewegung","22":"desktop-align-left","23":"tablet-align-left","24":"mobile-align-left","25":"ast-product-gallery-layout-horizontal-slider","26":"ast-magnify-disabled","27":"ast-product-single-variable","28":"ast-product-tabs-layout-horizontal","30":"first","31":"instock","32":"taxable","33":"shipping-taxable","34":"purchasable","35":"product-type-variable","36":"has-default-attributes"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Helke Sander: I like chaos, but I don&#039;t know whether chaos likes me &#8211; EECLECTIC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eeclectic.de\/en\/produkt\/i-like-chaos-but-i-dont-know-whether-chaos-likes-me-texte-aus-frauen-und-film\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Helke Sander: I like chaos, but I don&#039;t know whether chaos likes me &#8211; EECLECTIC\" \/>\n<meta property=\"og:description\" content=\"Texts from \u201cFrauen und Film\u201d. 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