Photography
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The Scream of the Strawbear
The publication brings together diverse yet connected themes of European folklore and their role in today’s social context
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Verplaatst Edition
Image out of the series Verplaatst – photographic observation of urban change in Rotterdam
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Cold Lens as a Filter
The publication brings together Müller’s works from the last 20 years and illustrates the complexity of her artistic research through various forms of media
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Chinesisches Gewebe Edition
Editionen aus der Reihe Chinese Weave – einem visueller Essay zu chinesischer Mode und Textilindustrie und den Menschen, die sie tragen -
Chinesisches Gewebe – Chinese Weave
A visual essay on Chinese fashion and the textile industry and the people who wear them. With a foreword by Barbara Vinken
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Atlas of Sculptural Situations I–V (Buch)
All 5 parts (printed) of the series of spontaneous publications that try to make a variety of public spaces aesthetically and politically tangible
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Atlas of Sculptural Situations (Special Edition)
Special edition of the series of spontaneous publications that try to make a variety of public spaces aesthetically and politically tangible
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Exit
Exit is a visual essay by artist Rebecca Milling on the tragic beauty of leaving the stage
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Atlas of Sculptural Situations, Part IV: Everything is Original / Nothing is Original
Fourth part of a series of spontaneous publications that try to make a variety of public spaces aesthetically and politically tangible
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Atlas of Sculptural Situations, Part III: Who is the Owner of Meaning?
Third part of a series of spontaneous publications that try to make a variety of public spaces aesthetically and politically tangible
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Between You and Me
Portraiture as a relational exercise: while family and friends draw her portrait, Anna Selander photographs their gaze
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Atlas of Sculptural Situations, Part II: Disko-Diskurs-Objekt
Second part of a series of spontaneous publications that try to make a variety of public spaces aesthetically and politically tangible
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Atlas of Sculptural Situations, Part I: Dov’è Roma
First part of a series of spontaneous publications that try to make a variety of public spaces aesthetically and politically tangible