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My Name Is Language

In the fictive worlds represented in this book, society is not centralized, not oversized, and self-naming is brought forward as a form of self-empowerment and resistance. 

6,99 17,00 


Central to this book are scripts by Nicoline van Harskamp, for the video work PDGN and a series of staged works titled My Name Is Language. Speech is the medium and the main topic of both of these works, that treat names as spoken language rather than spelled identity markers. A scholar of literary arts and performance culture, Avishek Ganguly reflects in his essay “Global Englishes, Rough Futures” on questions of translation, incomprehension, and untranslatability in van Harskamp’s work. The book also includes a list of text-change algorithms that van Harskamp calls “distorters” and an excerpt from Woman on the Edge of Time (1976) by Marge Piercy.

Fixed in corporate and state systems more firmly than numeric tax IDs or IP addresses, names are generally no longer treated as language, but as lexically opaque formulas. In their indifference to language diversity, authorities are known to rephrase, reorder, and re-alphabetize names when they don’t fit their administrative standard. They are also known to deny rights to people who have no “name label.”

In the fictive worlds represented in this book, society is not centralized, not oversized, and self-naming is brought forward as a form of self-empowerment and resistance.

Scriptings’ reader format “Political Scenarios” is published in collaboration with Archive Books and the e-book publisher EECLECTIC. The aim is to publish carefully selected scripts and texts by artists that refer neither to academic nor to purely literary forms of writing, but embed “text” as an integral part of a contemporary political art practice.

Achim Lengerer (Hg.)

In his artistic practise, Achim Lengerer deals with the political effects and functions of language and text. In addition to cinematic soundtracks, installations and publications, his forms of expression include performative lectures and events.

Lengerer founded various collaborative projects, including the freitagsküche in Frankfurt on the Main. Since 2009, Lengerer has run the mobile exhibition space and publishing house Scriptings.

2017 Participation in documenta 14 with the 21-hour radio work different time, different place, different pitch (with Dani Gal) produced by Savvy Funk and Deutschlandfunk. PhD at Goldsmiths, University of London, UK.

Nicoline van Harskamp

Nicoline van Harskamp is an Amsterdam based artist whose work considers acts of language and solidarity. Her live works were staged, among other places, at Museum of Contemporary Art Anwerp, Urbane Künste Ruhr (Ruhr Ding 2018), Steirischer Herbst in Graz, Project Art Centre in Dublin, Tate Modern in London, KunstWerke in Berlin, New Museum in New York, Stedelijk Museum in Amsterdam, Arnolfini in Bristol, Serralves Foundation in Porto, and the Kaaitheater in Brussels. She has exhibited her video and installation works in art centers, universities, and festivals internationally, see www.vanharskamp.net. Her works about “Englishes” and artists is accessible as a massive online open course in www.englishes-mooc.org. Van Harskamp is a professor for performative art at the University of Fine Arts in Münster, Germany.

Ed.: Achim Lengerer
Text: Avishek Ganguly, Nicoline van Harskamp, Marge Piercy
Design: Julie Högner, Archive Appendix
Design e-book: Janine Sack, Camila Coutinho
Arabic, Ewé, French, Hindi, German, Irish, Dutch, Portuguese, Urhobo, Croatian, English and Englishes
Approx. 200 pages, 56 illustrations, 9 audio files, 1 animated gif
epub (27 MB)
October 2020
ISBN 978-3-947295-61-6
6,99 Euro

Bundle (book and e-book):
English
208 pages, 56 illustrations
Softcover
ISBN 978-3-947295-62-3
17,00 Euro

Published as a book by: Scriptings / Archive Books
ISBN 978-3-948212-39-1
14,00 Euro

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